Steve Guercio (R), Jon Andrews (L) mixing a pilot for a Co-production of Mark Burnett and Carsey, Werner, Mandabach in Barcelona, Spain 

Documentary:

Attention to the smallest detail of natural sound always makes a difference.  The sound department can never be underestimated on a documentary film.

Clients: Frontline, PBS Nature, WGBH, National Geographic & Barb Kopple

On location at an archeological dig of a civil war P.O.W. camp for “History Detectives”.

Reality TV:

Reality television has changed the face of prime time TV.  This style of sound recording has made the use of radio microphones and multi track recording a permanent fixture on any show.

Clients: Survivor, The Apprentice, House Hunters, & The Amazing Race

Mike Ormsby and I on the tarmac with Trump’s 727.  “The Apprentice”

Sports:

Stereo sound and high definition technology has put the viewer right in the game.

Clients: NFL Films, NBA E, Nascar Images, MLB, The X-GAMES & PGA Tour

On location at Super Bowl 41 in Miami, FL filming “360” for NFL Films.

Network News:

From fast breaking network

news to longer format magazine shows, I have worked in many areas of location recording for the networks.

Clients: 60 Minutes, Dateline, 48 Hours, 20/20, & CNN

Adventure/Documentary:

With the ability to fly any where in the world within 48 hours, I have been able to record sounds from amazing  places such as Malawi and the Borneo Rain Forest.

Clients: ESPN, MTV, 

The ECO Challenge,  & Transition Productions, Inc.

On location in British Columbia filming the adventure show “Wild Rules” ESPN.

Lighting an interview for NBC’s “Dateline”